The Feedback-Table at the Lab2Art Korinthos opening party in action. On the display, visitors can manipulate the fluidal visuals freely with their hands. For a playful and tactile approach here, small metal balls are available to the surface, commonly used in ball bearings. They make the fault from which something grows in the loop. Anyone who deals with the object will find a way to influence visuals interactively. Since the camera is hanging above it, visitors can have their faces being part of the scene or play with personal things they carry with them.
Penguin Box
#logue23, Day 5 – think it in the box. An AI-driven three-dimensional, hyper-individualistic imagination amplifier and personal echo chamber to make all your beliefs instantly tangible! Caution!!! Objects can arise spontaneously when not in use through vacuum-fluctuations. Cats may appear. If you hear something, never open!
Your abandoned house in the forest
#EEXpat II, Day 13 – Your abandoned house in the forest. Mobile wildscreening setup with a power generator, a stage light and a projector.

The Bomb
#EEXpat I Day 17 – The Bomb. An audiovisual outdoor installation with audioreactive Pixel-LED stripes, Videomapping, a Cylinder Hat and a Big Red Button. The Music is a piece from ‘The Cromatics’.
About the EEXpat project
The EEXpat project was made possible in March and April 2022 by Thomas Lelikakis who allowed me to use his house as a studio, while he was not staying in Greece.
There I enjoyed the freedom and tranquility and began to spread out more and more with my things everyday in order to be able to work artistically. As a self-imposed challenge, I wanted to do something different every day to finally manifest the ideas that have clogged my head. Since everything was created here, I was also able to demonstrate the devices and skills that are available as tools here in Greece.
Not everything could be implemented in one day and it is also difficult to have to produce in this way. The whole thing was only possible as long as I was undisturbed and had no other commitments. In the first month I lasted 21 days, in the second 19 days before the continuity broke.
And here, sometimes, no path had been found that could be followed in order to get a presentable result. That’s why placeholders were developed – images of faces in things. The concept is explained in the Wikipedia article for Pareidolia. Also I played in the second month with facebook’s 3D images and 360 video, so I applied that knowledge too. But it must be viewed natively on facebook for the displacement effect according to the image’s depth map.
LOGUE23
With last years EExpat in mind, I started this year in March with a similar concept in Tom’ unused holiday home. Unfortunately due to illness there was a late start and a lack of motivation also didn’t help along with it create many works within of the opportunity. But still something emerged.
Applause
It’s cheeringly conceptual. Same essence different appearance. The essence is the clapping video. When multiplied, the videos loose synchronization, where then the world of Applause begins. The versions are unique and are created by integration of objects and display-hardware found in place.
Unique versions by now, partly depending on what was available at the venue:
- Quellwassertransport, Neustadt (DE) 2021 – where it was developed originally on the plattorm of the SpellTimeAlpha installation
- LPM Apulia, Nardo (IT) 2021 – Outdoor installation with hanging mini-TVs and central TV in the forest
- Visual Brazil, Barcelona (ES) 2023 – with the Lightspiral, hanging mini-TVs and a dead flatscreen
- VJ Experience III, Nice (FR) 2023 – hanging-miniTVs with a french icon: the baguette
- Digilog, Loutraki (GR) 2024 – multiple bigger TVs
- at Narcotic Anonymous
- at the Closing Concert
- Oasis Project, Corinth (GR) 2024 – two different arrangements on each day with big TVs
Last Christmas in Corinth
At six nights between Christmas and New Year 22/23, I created some attention for bars and restaurants in the Κολοκοτρονι-street in Corinth near the harbour, hired by Kostas of Bar Μηδεν Ενα.

